I can’t get over this rad new video for Punks Jump Up’s new smokin’ boogie-funk jam “Mr. Overtime” featuring vocals from Dave 1 of Chromeo. Slick, sexy, and artfully animated. Directed by┬áMaxime Bruneel, it’s the perfect fit for the song’s 80s italo-disco influence- an 80’s throwback vibe involving sports cars driving fast on the highway at night. But the animation style has a much more current feel- a very successful juxtaposition. If this track is totally new to you, fix that by heading over to the Moda Records Soundcloud and checking out the single and all the many awesome remixes. It’s out officially on April 30th.

About these ads

Duck Sauce (A-Trak + Armand Van Helden) released a video for their latest single “Big Bad Wolf” today and… um… well… it’s *scratches head* absolutely ridiculous? I don’t even know. I wouldn’t recommend watching it at work, though. (It’s age-restricted on YouTube, so it probably won’t play embedded below, but we’ll try anyway…

Also, tonight Chromeo (fronted by A-Trak’s brother Dave) takes over Nashville at the Cannery Ballroom. As of posting there are still tickets left. What’s possibly even more exciting than Chromeo is the fact that the one and only Breakbot is opening for them. It’s a VERY special treat to get to see an Ed Banger artist in Nashville, so you should seize this opportunity. Breakbot is one of my all-time favorite dance/electronic producers and he will NOT disappoint. Even cooler is the fact that locals How I Became the Bomb are on the bill in place of Mayer Hawthorne, and they’re doing a set of Hall & Oates covers! (Don’t get me wrong, I’m not glad Mayer Hawthorne canceled for whatever reason, just glad that my pals in HIBTB got seize such a great opportunity.) Check the video for Breakbot’s “Baby I’m Yours” below:

Ladies, be careful when you watch this video… you just might get pregnant. This takes ridiculous to whole new level, and re-affirms my opinion that Dave 1 is one of the suavest men alive. Every man secretly wants to be this guy. Well, every straight man… gay men probably just want him.

I’d heard rumors of Chromeo returning to the Nashville this year. They loved it here and were pleasantly surprised by the sellout last August, so it came as no surprise to learn they were probably coming back sometime this year. I waited around for the official announcement and it finally came, but with an extra-special added bonus: Mayer Hawthorne and none other than the legendary BREAKBOT are billed to open the show on Oct. 25th at the Cannery. I can’t even describe how awesome this billing is. It’s going be a looooong summer in anticipation of this show. The announcement came at the same time as Breakbot announced his new remix of Chromeo’s track “When The Night Falls” which you can preview below:

Meanwhile, Nashville’s own electro duo Jensen Sportag did a very sexy and very danceable remix of Memory Tapes’ “Wait In The Dark” which got them some serious love from The Fader. Good job, fellas. I can’t be happier to see Nashville artists seeing success making such traditionally “un-Nashville” music. Stream it below:

Geez, the boys over at Nashville’s Dead had an outright blog-gasm. Probably the biggest news they dropped was that PUJOL recorded a track with Jack White, and it’s gonna be on a 7″ which will be available at their Next BIG Nashville showcase happening at White’s own Third Man Records. The Jack White-produced track was total news to me, but the showcase wasn’t- they’ve been sorting out the details of that for a while but didn’t want to mention it till it was figured out… But seriously, they’ve got 2 days of awesomeness lined up for NBN at Third Man. Oh, and PUJOL has another 7″ coming out as well: a live recording of their show opening for Nobunny at Third Man a while back. Here’s the NBN/ND show rundown:

Friday, Oct. 1st: JEFF the Brotherhood/The Ettes/Cheap Time/Heavy Cream/Cy Barkley

Saturday, Oct. 2nd: Jacuzzi Boys/Turbo Fruits/PUJOL/D. Watusi

I should also mention that there’s a pretty cool update over at WOTT about the goings-on of Battletapes over the past few months. Mr. Ferguson has been busy as fuck with tons of good stuff, and is about to be flown to Brussels, Belgium to record a band called Lucy Lucy, who had an ear-gasm when they heard his work on Turbo Fruits’ album Echo Kid. Congrats, Jeremy! (And of course congrats to his girlfriend Candice who has all but kicked her breast cancer’s ass.)

I was going to post the video of Chromeo’s awesome performance on Letterman, complete with a string section and backup singers, but then I came across this ridiculously awesome video of Irish hand-dancers doing a routine to “Speak No Americano” by Yolanda Be Cool & DCUP.

Chromeo tonight

August 26, 2010

So you know Chromeo is playing at the Cannery tonight, right? If not, you’re either not in Nashville (which is just fine), or you are in Nashville and need to have your head examined. I’ll be honest, it took me a second to get into Chromeo. 5 years ago I wasn’t nearly as into “smooth grooves” as I am now. But once I was in, I was IN. I had the distinct privilege of seeing them play with Daryl Hall at Bonnaroo this year (playing both their own and all the classic Hall & Oates tunes), and it was honestly one of the best shows I’ve EVER seen. That is not an exaggeration. The fact that Holy Ghost! and Telephoned are opening for them tonight makes this utterly a dream bill IMO. There might be a few tickets left online, but make no mistake, if you snooze on this one, you WILL LOSE. I have no doubt it will sellout online thus leaving none available at the door. On a side note: few people wear Wayfarers as well as David Macklovitch. On another side note: I’m really fucking jealous of my pal Sean Maloney who gets to interview/hang out with them today for American Songwriter.

What could be better than this show happening at the Cannery? How I Became the Bomb covering Hall & Oates songs upstairs at Mercy Lounge BOTH before and after the show, that’s what. Seriously, this is the best idea ever. No clue if Drew or HIBTB cooked this one up, but kudos either way. Oh, and HIBTB will joined by DJs Wild Cub (Keegan DeWitt’s alter-ego) and Rio for the afterparty. I seriously hope this barrage of awesomeness makes a good impression on Chromeo/makes them want to come back. It’s gonna be one helluva night.

Just a couple of quick self-promotional updates…

I’ve got some new material coming down the pipe from my DJ/Electronic music project Burgers. I just completed the “Burgers Summer 2010 Mixxxx” and it will hit this blog and everywhere else this coming sunday. I’ll dedicate a post to that sunday or monday. I’m also working on the first official Burgers remix. It’s the Armed Forces track “Vultures (You Never Shut Up),” and it’s really fun, but also a pain in the ass, as I haven’t used any electronic music software in a few years and I’m almost having to learn it all over again. I have no idea when I’ll be done with that, but hopefully sometime this summer…

My band Powerbrrrd has been working on some new recordings, and those should be release in one format or another sometime this summer. We’re also making a music video this weekend, which will end up on this blog sometime next week no doubt. We also have a show tomorrow night at Springwater… (more on that below).

Be sure to head over to Nashville Nights and check out part 1 of Joseph’s Bonnaroo review. Pretty good stuff if you ask me, and I’m looking forward to the rest.

Speaking of Bonnaroo, check out this Fader video interview with Chromeo: (Via Fool’s Gold)

Now for the weekend stuff:

Tonight there’s a pretty bizarre/interesting show happening at the End: Most Amazing Century of Science/Lazer Slut/Brown Swarm/Meth Dad/Cunningham. I have a feeling 4/4 time signatures will be hard to come by at this one…

Saturday the obvious choice is of course, Powerbrrrd, Look What I Did, Thelma & the Sleaze, and The Grayces @ Springwater. But if you’re totally crazy, you could also check out “The Queen is Risen: A Tribute to The Smiths feat. Mother/Father, Nite Nite, The Armed Forces & more at Mercy Lounge,” or De Novo Dahl, Majestico, Fly Golden Eagle, and The Mattoid @ Exit/In. That last one is a benefit for the return of the Bat Poet. More on that via Sean Maloney’s Critic’s Pick in the Scene.

That’s all I have time for right now. Have a great weekend!

I thought I was going crazy for a while, but then A-Trak posted this blog last Thursday confirming that I’m not crazy. His project with Armand Van Helden Duck Sauce released their first single “aNYway” a few months ago basically everywhere but the US. A 128 kb version was relatively easy to find on some blogs, but the full-quality official version wasn’t available in the US… until now. Trizzy acknowledges this travesty in his comments, but I sincerely hope this doesn’t happen for future releases. Go grab this amazing track on beatport now!

The vinyl version of Uncle Skeleton’s new full-length Warm Under the Covers is now officially available via YK records. Go grab it at the Uncle Skeleton bandcamp, or just get the digital version for however much you want to pay. (Via Yewknee)

So as you well know from my last post, I went to Bonnaroo. I had an artist pass, and even though that grants one a much better experience than a regular patron (access to cleaner showers, a couple of air-conditioned tents, and free booze backstage), it was still FUCKING HOT. Aside from the heat, my mind was blown by two performances in particular: Daryl Hall + Chromeo and LCD Soundsystem.

Daryl Hall and Chromeo are the perfect match of old and new stylistically. Daryl Hall had a huge fan blowing his snowy mane into an utterly God-like immensity, P-Thugg’s vocoder leads were spot-on, and the overall silky smoothness of the affair was beyond words. I was there with Drew Mischke from Mercy Lounge and Jon Burr of How I Became the Bomb (and a few others), and if you know anything about either of those individuals, you can imagine how giddy they both were at this spectacle. It was kind of endearing.

LCD Soundsystem was about an hour after the above show, and having not seen them before, a 2:30am set complete with the largest and brightest disco ball I’ve ever seen was enough to blow my mind yet again. I watched most of the set from sidestage, but the sound was good enough that I could sense how awesomely tight James Murphy’s backing band is. I was literally running on fumes by that point, but the energy of their performance kept me going right till the end.

I also learned more than I ever wanted to know about bros and the phenomenon of getting ICED and/or ICING someone else.

That’s really all I have to say, and if you haven’t checked out the numerous blog posts (most of which are a bit belated thanks to the press wi-fi meltdown that occurred) from the Nashville Cream, please do so for further, more in-depth coverage and some great photos by Lance Conzett and Eric England.

I heard about this show last friday, but couldn’t really mention it until the official word came from Mercy Lounge/Cannery. Chromeo and Holy Ghost! will be playing at the Cannery on August 26th! This is the kind of lineup that 5 years ago would’ve never been possible in Nashville, but now it’s happening, and you should be very excited because this is one of the best matchups ever to come through town. I must be totally honest- I’ve always been rather lukewarm about Chromeo, but I can rock some Holy Ghost! any day. After seeing LCD Soundsystem at Bonnaroo this year and then seeing Holy Ghost!, my DFA void will be filled.

On a different note, it looks like local math-punks The Ocelots have been busy in the studio, as they’ve got a new EP on their bandcamp. This material is a much-needed break from their past. These songs have more of a melodic direction than their older ones while still keeping the jagged, bouncy, math-rock format intact. In fact, one of the songs actually stuck in my head for a minute… something that would’ve never happened before. It’s name-your-price… but I suggest making a donation…

Follow

Get every new post delivered to your Inbox.

Join 755 other followers