FAMN DAMN/Jensen Sportag/Slayer
February 16, 2011
Whoa. Did I really just mention those 3 bands in a row?
Cody Blaine has been making music in Murfreesboro for a good few years now in various incarnations. As most artists do, he’s changed, grown, and honed his skills quite a bit along the way. His latest project is called FAMN DAMN, a scaled-down version of his previous project Cody Blaine & The Whole Famn Damnly. That band involved drums, bass, keys, and a horn section. Needless to say, managing rehearsals for such a sizeable undertaking can take its toll on one’s willpower, so the new incarnation is much simpler- Cody Blaine sings and plays keys while drummer Mikey Lieberman caresses the skins. It’s nearly impossible not to compare Blaine’s vocal style to that of Tom Waits, but along the way he’s honed it so that it’s not as derivative. Stripping the instrumental aspects of the songs down to such bare components was also a good thing. The result is his first release on vinyl- the “Honey, Come Pull On My Tie/Borrowed Time” 7″ single. The single is currently being pressed for an unspecified release date. *Disclaimer- I did the photography and cover art for this release, so I’m not completely unbiased here.*
After debating which track to post, I landed on the B-side “Borrowed Timem,” as I slightly prefer it over the A-side.
In other news, Jensen Sportag‘s EP Pure Wet is officially out. Stream and purchase via their label Cascine. Like said before: SEXY. This EP could just as easily have been titled Pure Sex. No joke.
Via the A.V. Club– Slayer’s guitarist Jeff Hanneman had to back out of a few upcoming shows for what has to be the most metal thing ever: He got a case of flesh-eating bacteria from a spider bite. Thankfully he’s fine and currently recovering from surgery. Seriously, that’s one of the most metal things I’ve ever heard. And Slayer is probably the most metal metal band ever, because the singer also recently injured his neck and back from headbanging. Somebody needs to give these dudes a trophy.
Loch Lomond: new discovery
February 8, 2011
My appetite for intricate orchestral folk-pop has been waning lately, but Loch Lomond is a refreshing take on that dreamy, melancholy end of the sub genre. In fact, this band sort of embodies the dreary yet ironically cheerful mood of their hometown of Portland, OR. Their instrumentation is perfect for the songs- mandolin, violin, cello, you get the picture. One can’t help but draw comparisons with bands like Lost In The Trees, or even Belle & Sebastian. Their album Little Me Will Start a Storm drops in two weeks on 2/22 on Tender Loving Empire. Highly recommended if you like either of the bands I just mentioned. They’ll be all over SXSW this year, and I plan on checking out the live incarnations of these songs.
Tristen: Charlatans at the Garden Gate
January 25, 2011
To those of us immersed in the Nashville local rock scene, it seems almost like a catharsis for Tristen’s debut album Charlatans at the Garden Gate to finally be released. There’s been talk around town of her album for a good two years, ever since she started working on it with Jeremy Ferguson at Battletapes. I worked with her on a promo photo shoot in October of 2009 during which one thing was very clear- she is the type of person who won’t release her art to the masses until she’s absolutely sure it’s perfect. That’s why this album took 2 years to make, but the result was well worth the wait. She and Jeremy managed to find just the right guest musicians and instrumentation to fit the songs. Good production is hard to describe, but the best I can do is say that when you hear a certain guitar part or tone, or certain keyboard sound, you just know that it’s RIGHT. You think to yourself, “that song needed to sound that way.” That’s what I think after listening to virtually every song on this record. Possibly the best example of this is the closing track “Save Raina.” The subject matter of her songs is mostly serious and sometimes rather dark, but the melodies and song structure never allow the songs to become downright depressing, just earnest. There’s always some degree of catchiness as well- these songs will stick in your head; not a single one is forgettable. Her voice is really the overwhelming factor, though. Just the right amount of cracks and warbles are left in so that she sounds incredibly human; incredibly real. This girl has got it all- the songwriting chops, the voice, the looks, and the band. Do yourself a favor and get a copy of this album when it hits shelves on Feb. 1st via American Myth Recordings. She’s currently on tour in support of the album, so check her myspace to see if she’s coming to your town. You can order a copy of the album through her main website, or check your local record store.
MP3: Tristen-Baby Drugs
Photo by Rachel Briggs
BURGERS presents: Winter 2011 Mixxxx
January 4, 2011
Surprise! My new mix is here and it’s ready for your consumption. Like the fall mix, this one is short and to the point. I’m releasing this now as a taste of what’s to come at the next La Paz Late Night presents. This one is next Sat. Jan. 15th and it’s called FREEZE OUT! It’ll be me, Vitalic Noise, and Myrryrs (formerly known as Justin Kase) spinning the same disco/house/electro you grooved to last month at the the tacky sweater party. “Like” us and check out some pics from that party on our Facebook page. Also, you can follow us on twitter: @lapazlatenight.
Tracklisting:
Michael Jackson-Don’t Stop Till You Get Enough (Gigamesh RMX)
Mark Ronson & The Business INTL- Bang Bang Bang (Russ Chimes RMX)
Miami Horror-Holidays (DCUP RMX)
Black Strobe-Me & Madonna (Twelves RMX)
Supermen Lovers-Starlight
Silver Convention- Get Up & Boogie (GoGo Bizkitt RMX)
Radio INK-Physical (GLOVES RMX)
Kraak & Smaak-Dynamite (Boogie Funk Version)
Download/stream below:
The Zut Alors: Boy Girl Party
December 16, 2010
Local synth rockers The Zut Alors are a shining example of what can be accomplished through Kickstarter. They started a campaign to raise money to press their debut album Boy Girl Pary on vinyl. They succeeded, and now they have the shiny new records in hand, ready to ship. The album is an impressive collection of medium-tempo sometimes dark, sometimes catchy, synth pop/rock. Singer Nick Bennett’s voice is often draped in reverb or delay and fuzzed out with distortion, but always with a clever underlying melody. You can clearly hear a strong Echo & The Bunnymen/Smiths influence on the vocals. Every instrument and layer in every song sounds calculated and precise, and the parts seem to fit together like a puzzle. The end result, though, is a set of carefully crafted pop songs that make an album well worth your money. It took this album a few listens to grow on me, but now I find myself putting it on repeat. Highly recommended.
The album will be available in Nashville at Grimey’s and online at their bandcamp page starting tomorrow, 12/17. Also, they’re hosting a listening party in the Blue Bar at Goldrush this Sunday night (the 19th). The party starts at 9pm and they’ll be selling the vinyl LP (which includes a free download code) for super cheap.
Download- Take Take Take
And The Relatives: Green Machinery
December 1, 2010
And The Relatives just released their first full-length album Green Machinery via Theory 8 and YK Records. I’m no professional music critic by any means, so I’ll keep it short. Get this album. The band put a lot of time and effort into this record and it shows. I must disclose that these guys are friends of mine, but again, I don’t claim to be a professional music critic. ATR’s style has always been heavily influenced by early/mid 90s indie rock, and they wear that on their sleeve. This album is anything but derivative, however. They somehow manage to inject a sense of freshness in the songs that keeps them from feeling stale. You’ll hear a little Guided By Voices, a little Built to Spill, and plenty of clever guitar riffage. Top it all with Andrew Brassel’s mellow yet rough-edged voice and just the right dose of production and you have yourself a quality album. Production-wise it’s pretty much spot-on. It was recorded at bassist Eli Beaird’s home studio, and the sounds achieved perfectly match the songs. The artwork is worth noting as well- Micheal Eades, Kyle Scudder, and BOSS Construct did a great job on the packaging, and it’s well worth it to buy the limited edition vinyl to get the full effect. If you’re short on cash, have no fear though- you can pay as little or as much as you want for the digital version at their bandcamp. The standout track on the album is easily “Hammer Down,” and you can check out the video for it below.
Makeup and Vanity Set releases Charles Park II today
October 26, 2010
“Forged with the blood of druid magic.” That’s how Makeup & Vanity Set describes the creation of his latest album, Charles Park II. This album is unabashedly intended for Halloween, just as Charles Park was 2 or 3 years ago (my memory fails me). Because I’m not a professional writer, and I lack the ability to string these thoughts into a coherent paragraph, I’m simply going to list some things that come to mind while listening to Charles Park II.
- A synthesizer turns into a robot monster, transformer-style, the keys becoming its fangs. It then crashes out of its owner’s room in Tokyo, Japan, killing everyone and turning it into a vast wasteland.
- Tom Selleck
- MacGyver
Basically, this record sounds a lot like the music during the chase/attack scenes of any 80’s futuristic b-movie horror flick. This what the soundtrack to Tron might’ve sounded like if it were re-imagined as a horror film. Buy it, then throw it in a boombox and carry it around on your shoulder blasting as you trick or treat this weekend. You will automatically be 10x cooler and you will get laid.
Makeup & Vanity Set-One Last Stand
Buy it at the MAVS bandcamp for just $5. He’s also included a special bonus- buy the original Charles Park for only $2.
BURGERS Fall 2010 MIXXXX
October 18, 2010
Ladies and gentlemen, I present to you the BURGERS Fall 2010 MIXXXX. Download for free:
Tracklisting:
Two Door Cinema Club- Something Good Can Work (Twelves RMX)
Lexicon Don- Student Body (Bit Funk RMX)
Miami Horror- I Look To You (ft. Kimbra)
Burns & Fred Falke- You Stopped Lovin’ Me (Treasure Fingers RMX)
Duck Sauce- Barbara Streisand
Punches- Feelin’ Right (Justin Faust RMX)
Cee Lo Green- Fuck You (Le Castle Vania RMX)
The Armed Forces- Loose All Control
Jensen Sportag- Jareaux
It’s short and to-the-point, and I think I’ll be keeping most all my published mixtapes that way from now on. I feel like some of the past few have tried to do too much for one mix, so this one is just 35 minutes of smooth, sexy disco/house fun.
Jasmin Kaset: Get her debut album
October 5, 2010
I’ve known Jasmin Kaset for quite a few years now. Until recently she’d played various small, solo acoustic shows, sometimes with a few friends accompanying her on various instruments. She moved back and forth between Nashville and Australia a time or two. It seemed that she might have been holding back a bit, waiting for the right time to step into the spotlight. That time has come and she’s officially made a strong statement in Nashville’s “other” music scene, the good one. She teamed up with studio wizard and Non-Commissioned Officers founding member/producer Jordan Lehning, and I must say it’s a match made in heaven. He took her sweet acoustic ditties and ballads and turned them into soaring majestic masterpieces fit for a king. (Well, some of the songs are still simple acoustic arrangements, but the standout tracks can most certainly be described as “majestic.”) My only reservation with Jasmin was always that the Phonetic styling of her voice was usually a little too sweet and somewhat childlike. That child of a voice has now matured and her performance on this album simply demands your attention and respect. She still sounds distinctly like Jasmin, but she’s singing more robustly these days, and I absolutely love it. Some of these songs will no doubt draw comparisons to Regina Spektor, but honestly in my humble opinion I think Jasmin’s songwriting simply eclipses that of Ms. Spektor.
The album is short, but it’s worth every penny of the $5 you will spend to purchase it directly through her website. The artwork is worth mentioning as well- a delight for your eyes.
First, I must point you to the official Next BIG Nashville schedule. It’s up, and it will probably change, but it’s there so start planning which sacrifices to make. Planning your schedule at these types of music festivals is always a delicate balance between seeing people you know and like, and branching out to see some new acts you might not get to see otherwise.
Secondly, I have some exciting news that some people know about, but others don’t. I will be doing a photo documentary project with Those Darlins next week; joining them on a week-long leg of their tour with Strange Boys and Gentleman Jesse & His Men. I got the idea after the death of famous rock photographer Jim Marshall last year. News of his death got me thinking about his photographs, and how a lot of the truly iconic shots are very casual, candid, off-beat images taken off the stage. I thought about how I could do more of that type of behind-the-scenes work (not that my images will ever be as iconic as Marshall’s shots of Bob Dylan, Janis Joplin, and the like), and I thought of Those Darlins. I’ve known them for years, they’re some of the best people I know, they have room in their van, and after some discussions with their awesome manager John “JT” Turner, this idea is now becoming a reality. They’re what most would consider a mid-level act, but they’re headed for higher places and I think it’s the right time to do this type of project with a band like them. Those Darlins know how to party, and I think the results of this little experiment will be interesting. So, if you’re in Chapel Hill, D.C., New York, Cambridge, or Brooklyn, I hope to see you at one of the shows! Obviously, I may not be posting much next week…
My other news is simply that Miami Horror is awesome and you should go buy their album now. Seriously, I’ve been seeing mp3’s from these guys popping up in the blogosphere for a few months and I kept thinking “oh, this is an awesome track… nice…” But just yesterday I saw my friend Joseph’s review of their debut album on his blog Nashville Nights and it finally clicked in my head that these guys were different than your average “3 or 4 singles a year” DJs/producers. I urge you to checkout the quality interview Joseph did with them as well… I totally agree with his sentiment that it’s hard to find a good, quality dance floor album these days. There really are no sleepers or filler on this album- pure quality all the way through. Honestly this material is exactly what I personally want out of electronic/dance music: it’s got a great disco-ey, funky groove to it, smooth bass lines, and most of all the songs are songs, not just a bunch of loops layered together that build and fade (via trancewave). If you like Cut Copy, AIR, or Neon Indian, you will love this record. This is the best thing to come out of Australia since Silverchair. J/K J/K J/K
Miami Horror-I Look To You (Ft. Kimbra)
Oh, and the link to buy the album goes to Amazon. Fuck iTunes and their non-mp3/non-DJable formats. And while I’m at it, fuck their new ugly skin/layout for iTunes 10, too.
steve cross loves music and science 