Uncle Skeleton, a project of Ross Wariner of Kindercastle fame, released the first single “Sophisticuffs” from their forthcoming new album All Too Human today. It’s available digitally now via their bandcamp. It’s a fun, breezy, disco-inspired tune with strings, funky guitars, and a smattering of cleverly cut-up vocals. I’m very happy to share the news that my (Burgers) remix of the track was deemed good enough for inclusion as a B-side/bonus track! Thanks to Michael Eades and his YK Records for making it all happen!

The Burgers Winter 2011/2012 Mixtape is here and available for you listening/downloading pleasure. I kicked it off with some classic deep cuts, then took it to a chill/sexy/moody vibe, then finished it off with some great new discohouse. I’m kinda proud I managed to crank out a mix that didn’t involve Breakbot or Bit Funk. Those two dudes make pure gold out of everything they touch. It’s really hard to resist. But right now my DJ hard-on is all for Gigamesh. Seriously- that dude’s been busy making amazing remixes and golden original tracks. Check out his EP called “Space Dinosaur Stuff.

LOL. It’s actually just “Gigamesh EP.” Anyway, here’s my mix:


Gino Soccio-Try it Out
Madi Diaz-Trust Fall (Jensen Sportag RMX)
Niki & The Dove-Mother Protect (Goldroom RMX)
Gigamesh-When You’re Dancing
The Magician ft. Jeppe-I Don’t Know What to Do (Fabian RMX)
Knight One-Hearts of Oak
Girls Generation-The Boys (Robotaki RMX)
Database-New Disco
P Money and Dan Aux-Kinda Lovin’
Caravan Palace-Clash (Jupiter RMX)

My man Justin Katerberg has been steadily growing his Vitalic Noise Agency the past couple of years, but it seems that few people really know what Vitalic Noise does, beyond the blog. Well I’ll just tell you what came straight from the horse’s mouth:

Realizing that the majority of people still to this day have no idea what Vitalic Noise does, we couldn’t think of any other way to properly showcase the artists that we are working with than to set up a DJ rig and pushed record on a short tracklist of both artists signed to Vitalic Noise and a few other acts that we hold close to our heart. Did it work? I guess that part is up to you – love it or hate it, we would be ever so thankful if you were to share it with your friends.

Currently we represent, as either management or booking agents:

Fare Soldi
Justin Faust
Edwin Van Cleef
Moonlight Matters
Geisha Twins
FM Attack

So there you have it. Quite an impressive and ever-growing roster. Check out the mixtape on soundcloud:

My Fall 2011 mixtape has arrived. This one’s a little longer than the last few but I had a lot of great new tracks, as well as some older gems that I recently dug up, to throw in there. I couldn’t resist the urge to kick it off with the new Sammy “Saxy” Bananas’ saxtastic remix of Chromeo’s hit “When The Night Falls.” Clearly the artwork reflects that. 😉 And dammit, just when I think I’m gonna be able to squeeze out a mixtape that doesn’t include Bit Funk, he goes and releases a masterpiece like “Rap Music.” I give up. The man can do no wrong. Also included is Viceroy’s brand-spankin’ new disco house banger “No Ending.” Enjoy:


Chromeo-When The Night Falls (Sammy Saxy Bananas RMX)
Kimbra-Cameo Lover (GLOVES RMX)
Stephanie Mills-Put Your Body In It (Gigamesh RMX)
Chic-Le Freak (Le Principle Brooklyn Fire RMX)
Mustang-Shooting Love (FAT Club Mix)
Midnight Star-No Parking On The Dancefloor
Bastille-Wide Open
Makeup & Vanity Set-Charles Park (Disco Version)
Bag Raiders-Sunlight (GLOVES RMX)
Together Robots-Heaven (Death In Paris 1983 RMX)
Bit Funk-Rap Music
Viceroy-No Ending
Craze-Dance Alone (Ft. Wreckonize)
Flight Facilities-Foreign Language (Extended Mix)

Murfreesboro/Nashville’s hometown heroes The Features are set to release their 3rd full length album Wilderness via Bug Music July 26th. I’ve been following this band since the early 2000’s, not long after I first moved to Murfreesboro, and known most of them since the mid 2000’s, so I’ll admit I’m a pretty biased person, but I am not a professional music critic. Knowing what they’ve been through, and after a late night drunken conversation with producer/engineer Brian Carter many months ago during the last stages of the album’s production, it’s very evident that this is the album they’ve always wanted to make.

This band never ceases to amaze me in their ability to stay fresh and create music that’s never dull or uninspired. There’s always a lot of hype and expectation around them, especially from their hometown scene, and somehow they always deliver. At this point the band just seems almost… dare I say it… infallible. Invincible at the very least. This album has anything a die hard Features fan could want, but I think it’ll also draw in even more new fans. Frontman Matt Pelham’s songwriting is as sharp as it ever was, leaving room for keyboardist Mark Bond to sprinkle in his textures where they need to be. Songs such as “Golden Comb” and “How It Starts” should be instant hits with those well-schooled in the Features back catalog. “Golden Comb” has a melodic structure and chord progression that may remind listeners of a few tracks from their debut Exhibit A. “How It Starts” features an instantly catchy vocal melody in the chorus, backed by a driving beat and handclaps which I hope will soon be learned by the home crowd at their live shows. I miss the days when crowd claps in “Darkroom” and “See You Through” were once staples of a local Features show. The second track “Kids” steps into slightly new-ish territory for the band, with drummer Rollum Haas pounding out a furious and frenetic shuffle rhythm between the toms and snare, while Pelham rips through a mean and distorted guitar riff. Perhaps it’s not really all that new, just a new-ish twist on a well-established signature Features style. The album has a healthy dose of slower tempos and earnest lyrics as well. “Fats Domino” contains one of the best lines Pelham has ever penned- “You can have everything… except my rock & roll… my love.” Though unfortunately this song also contains the only questionable moment on the album: Pelham saying a couple of lines in a soft talking voice, the last of which is “but I can’t let you walk out that door baby…” The album’s closer “Chapter III” is one of those songs for which The Features are often most beloved. Pelham croons out the chorus line “Yours To Keep” in an instantly lovable falsetto melody that simply melts the heart. Throughout the album Brian Carter’s production is spot-on; just the right amount of reverb here, just the right EQ there.

They’ve gone and done it again. They’ve made what will arguably be considered their best album yet. If 15 years of existence and a tumultuous run through the gauntlet of the major label record industry doesn’t destroy a band, then nothing will. I have faith that these guys will be making great music for years to come. I find that there are generally two types of great bands: ones that peak quickly and produce a small body of quality music over a relatively short amount of time, and ones that slowly evolve and keep churning out a steady stream of greatness for years and years. The Features have established themselves as the latter. Let’s hope they keep going.

MP3: The Features-Rambo

A little late for the technical first day of summer, but it’s finally here: the BURGERS summer 2011 mixtape. Grab it or stream it below. I’ve been assembling this mix over the past week or so and decided to make it flow like most dance parties do- kinda chill at first then ramping up to a few full-on bangers toward the end. Yes I know I include Bit Funk and Breakbot in just about every mix I make, but they’re two of my faves and they’re constantly coming out with awesome new shit; I just can’t help myself. Listen and love.

Miami Horror at Beauty Bar Backyard, SXSW '11. Photo by Steve Cross

Tomorrow night (6/16) Miami Horror makes their first Nashville appearance at Mercy Lounge, with How I Became the Bomb and Cherub opening. I’ve been hoping for at least a year that Miami Horror would come through Nashville, and it’s finally happening. They come from the land down under, but I’ve heard rumors that they’re making a move to the states. Their debut album Illumination was one of my favorites of 2010, and I caught their live show at the Beauty Bar Backyard at SXSW this year. It was easily one of the best shows I saw the whole festival. They have impressive stage energy and showmanship which easily brought the crowd into a sweaty dance-frenzy in no time.

This show at Mercy will be easily as good, if not better, than the SXSW show because they can flesh out their set and do it “their way” instead of having to setup quickly and rush through their set like bands usually have to do at SXSW. The openers are perfect for the bill, and at a mere $12, this is a really good deal. The band is also doing a DJ set later that night at MAI for the official afterparty. Seriously, get your tix now! Why pay more at the door or risk missing it entirely because of a sellout?


Miami Horror-Holidays (ft. Alan Palomo)

Miami Horror-Holidays (DCUP Remix)