The Naked & Famous: riding the Passion Pit waves
November 29, 2010
This band from New Zealand The Naked & Famous are making me pretty happy at the moment. Don’t have their full album yet but from the 2 tracks I’ve heard, they basically sound like a more epic, more robust version of Passion Pit. Basically those are the things that kept me from loving Passion Pit, so for me this band is almost perfect. I know they’ll get tons of Passion Pit references and will probably grow tired of it but it’s too obvious to just ignore- the similarities are there. What’s kind of hilarious is that Pashy Pit’s Angelakos is a dude, but his stratospheric falsetto is in the same register as TNAF’s vocalist Alisa Xayalith. Don’t get me wrong, I like both bands, but honestly TNAF is pretty much what I always wanted Passion Pit to be. I’d put money on them becoming one of the biggest indie sensations of 2011. Check out the video for their hit single “Young Blood”:
Powerbrrrd show tonight/William Tyler album/MAVS remix contest
November 16, 2010
Wow, there’s a lot of good stuff to report today.
First of all, let me say that this morning sucked. Quite frankly this started out as a bad day. But I found out that local guitar wizard William Tyler (who’s played with Silver Jews, Lambchop, and most recently KORT) has a new solo album out, and it’s streaming on NPR. I had no idea what to expect, but I started playing some tracks and my day immediately improved. The album is mostly instrumental acoustic guitar compositions with roomy, spacey samples and horn parts washed in here and there. A few tracks feature ambient sound effects with distant druid-like chants. It was one of those times where just the right thing happens to come along to set you back in sync. Good job Willy T!
Now for a brief moment of self-promotion. My band Powerbrrrd is playing a free show at the Exit/In tonight, along with Nite Nite, The Grayces, Little Viking, and Frank the Fuck Out. A good time is guranteed. We had a 4th Brrrd in line to make his debut tonight, but unfortunately he inured his wing and won’t be able to rock with for a few more weeks.
One more brief moment of self-promotion. Saturday I turn 29. To kick off my last year of being a coveted twenty-something, I’m hosting an 8 off 8th at Mercy Lounge next Monday, and it’s a grunge cover night. Yes, break out your flannel, ripped jeans, and chucks- it’s time to get filthy. The lineup is Eliza the Arrow (former members of Forget Cassettes), Foxcore (members of Take the Power Back), Anchor Thieves, Powerbrrrd, Sweet Tempers, Kelly Kerr, and Bad Press (Nashville Cream staff). There will also be FREE CAKE.
If you’re a music maker of the electronic type, or just a DJ who dabbles in production, you should head over to Makeup & Vanity Set’s website where can download stems for an official remix contest he’s hosting. The track being remixed is “Charles Park” off of Charles Park II. I really look forward to hearing some of these remixes, and tackling the remix myself. Whether I can come up with anything noteworthy remains to be seen, as my time is stretched thin…
Finally, I must warn that my posting may be limited to non-existent past today. Something blog-worthy may pop up tomorrow, but Thursday I’ll be having PRK eye surgery, and unfortunately there is a bit of recovery time involved, during which I may have be doped up on pain meds while my corneas heal. Most of you haven’t a clue how severely near-sighted I am, but suffice it to say that even though this surgery will only reduce my corrective prescription, that alone will be well worth it.
Slow weekend/Caitlin Rose’s album gets U.S. release date
November 12, 2010
Before we get to the sparse show listings for this weekend, here’s some long-awaited local music news:
Caitlin Rose’s debut album Own Side Now will finally see a US release on March 15 of next year. People state-side have been wondering and waiting for news as to the US release, since it’s been out in the UK and Europe for several months now. The release will be followed-up by what should be a pretty extensive US tour in the spring/summer months. Good news indeed, for a truly great album.
Wow. It’s a slow weekend in Nashville, rock show-wise. I honestly have nothing for you tonight. Nada.
TONIGHT:
I almost forgot about Black Mountain/Black Angels tonight at Mercy Lounge. But personally they are too jammy for my taste. So… meh.
Wooops. That show was actually last (Thursday) night.
SATURDAY:
Mashville ft. DJs Wick-It, Bitch Please, Mike Vulcan, and Bateman @ The End. 9pm $5
SUNDAY:
Codaphonic, Listen Like Thieves, Kat Jones, and StereoPhidelics @ the 5 Spot, 9pm $5
I must also mention that my band POWERBRRRD will be playing a Rock the Block at the Exit/In on Tuesday, along with Nite Nite, The Grayces, Frank the Fuck Out, and Little Viking. POWERBRRRD will be debuting our new 4-piece lineup, so make of that what you will.
Yeah! Have a good weekend!
Pains of Being Pure at Heart sophomore album produced by Flood
November 4, 2010
Pains of Being Pure at Heart @ SXSW 2009
I’ve been a solid fan of the Pains of Being Pure at Heart ever since they burst onto the scene in late 2008/early 2009. I was pretty amazed when I read this article on Stereogum reporting that they’ve finished up their 2nd full-length with none other than Flood behind the faders. Knowing that a producer who was behind such huge massive sounds as U2, Depeche Mode, Smashing Pumpkins, etc… was working with POBPAH initially scared the hell out of me. Adam Gold of the Nashville Scene/Cream once told me “they rock about as hard as a cupcake” referring to POBPAH. And honestly that’s a pretty accurate statement, but I’m actually fond of several “cupcake” bands, so that is (in some ways) a very good thing in my mind. Such a “big sound” production style would certainly spell doom for the tenderness and teenage awkwardness that is part of the reason I loved their debut album so much. At least that was my initial reaction. The quotes in the article, however, quelled most of my pessimism about this second album. Quotes like “the loud parts are louder and the quieter parts are quieter — with a lot more variation between the two” really make me feel like Flood didn’t just come crashing through the walls and lay down the law while POBPAH cowered in the corner. The band actually developed a “good push-and-pull with him” and believes that he actually learned as much from them as they did from him. To me, a big part of what made their debut so good was the way it was mixed, and most specifically the guitar sounds. Honestly there were a few moments where I found myself wanting the guitar parts to come through a little clearer; that they were a little too awash in fuzz and re-verb. So when I read that they were going for “a guitar sound that hit you in the chest.” I’m all about that. So with slight hesitation, I look forward to hearing this new album. As I’ve said all along, I really think this band has some staying power.
A few random other notes:
Congrats to everyone involved with Make-Out With Violence, the locally shot and produced feature film is now officially out on DVD and On Demand. I mentioned before they’d finally found a distribution home with Factory 25, but now you can actually go order a copy for yourself. Go forth and buy! These dudes sunk a lot of their own cash into this movie and worked tirelessly for years- they deserve it! (Via Nashville Cream)
Just watch this amazing feat of choreography and lighting that happened in NYC for the Target 2010 fall fashion spectacular. Mind=blown. (Via Vitalic Noise)
New And The Relatives/Big Pics from Chile
October 14, 2010
File this one in the “what could have been” folder. Local classic indie rock (yes I’m using “classic” with “indie rock”) trio And The Relatives have sadly reached the end of their career… for the forseeable future, at least. I hate to say that, but it’s true. I won’t go into explicit details but a member of the band rather unexpectedly made the decision to move to California. That being said, they ARE releasing the debut album Green Machinery which they’ve been working on for the past few years; it will be out very soon on vinyl via a joint effort between Michael Eades’ YK Records and Theory 8. It will also be available digitally via their Bandcamp. You can actually go there now and preview a couple of the tracks. I’ve watched this band develop over the past few years, and it’s rather amazing how far they’ve come. I also must mention the eye candy that is the artwork and new website, designed by Eades and Kyle Scudder. I’d like to hope they will eventually reunite at least to play a show here and there, or even just to work on new recorded material… similar to the Hotpipes’ situation.
Some more random links/tidbits of interest:
The Boston Globe’s Big Picture blog has a series of beautiful and moving photographs from the Chilean mine rescue. I can’t imagine being trapped underground for 2 months with 32 other men, and no doubt the full psychological effects have yet to be seen. Regardless, these photographs are incredible.
T.I. apparently talked a guy out of committing suicide Wednesday afternoon in Atlanta, just a few days before he’s scheduled to go to trial on a probation violation. Good job, T.I.! Maybe the judge will go a little easier on you?
The Village Voice did a pretty cool interview with Duck Sauce (a.k.a. A-Trak and Armand Van Helden). Just go read it, and be sure to check out their new single “Barbara Streisand” for which they did this awesome came0-packed video:
Lots of good things happen tonight
October 6, 2010
Before I talk about the nerdy television shows which will be on tonight, I must mention that Nashville rockers Heartbeater released their debut album Slow Waves yesterday. I totally forgot to mention it. Hell I’ve only heard a couple of the songs, but I know it’s an awesome record because I’ve seen them live many times, and they are just that good. The main strongpoint is the amazing chemistry between the two guitar players whose parts are almost always playing off each other and harmonizing. Check them out at heartbeater.net or their label’s bandcamp.
Now for some serious nerding-out.
- Obama finally got a clue and is having solar panels installed on the White House. It’s about fucking time!
- Tonight is the season premier of Mythbusters on the Discovery Channel. The myths their testing tonight both involve dogs, so this will surely be an adorable episode.
- Of course, directly following Mythbusters will be the 2nd episode of Phil Plait’s Bad Universe. This time he will be studying the realities of alien attacks and the overall existence of extraterrestrials, as well as the grim realities of interstellar travel. Two of my favorite things back to back=me having a nerd-out. Here’s a sneak peak at tonight’s episode:
Jasmin Kaset: Get her debut album
October 5, 2010
I’ve known Jasmin Kaset for quite a few years now. Until recently she’d played various small, solo acoustic shows, sometimes with a few friends accompanying her on various instruments. She moved back and forth between Nashville and Australia a time or two. It seemed that she might have been holding back a bit, waiting for the right time to step into the spotlight. That time has come and she’s officially made a strong statement in Nashville’s “other” music scene, the good one. She teamed up with studio wizard and Non-Commissioned Officers founding member/producer Jordan Lehning, and I must say it’s a match made in heaven. He took her sweet acoustic ditties and ballads and turned them into soaring majestic masterpieces fit for a king. (Well, some of the songs are still simple acoustic arrangements, but the standout tracks can most certainly be described as “majestic.”) My only reservation with Jasmin was always that the Phonetic styling of her voice was usually a little too sweet and somewhat childlike. That child of a voice has now matured and her performance on this album simply demands your attention and respect. She still sounds distinctly like Jasmin, but she’s singing more robustly these days, and I absolutely love it. Some of these songs will no doubt draw comparisons to Regina Spektor, but honestly in my humble opinion I think Jasmin’s songwriting simply eclipses that of Ms. Spektor.
The album is short, but it’s worth every penny of the $5 you will spend to purchase it directly through her website. The artwork is worth mentioning as well- a delight for your eyes.
Nashville’s Dead showcase at Third Man Records/Irish Hand-Dancing
September 22, 2010
Geez, the boys over at Nashville’s Dead had an outright blog-gasm. Probably the biggest news they dropped was that PUJOL recorded a track with Jack White, and it’s gonna be on a 7″ which will be available at their Next BIG Nashville showcase happening at White’s own Third Man Records. The Jack White-produced track was total news to me, but the showcase wasn’t- they’ve been sorting out the details of that for a while but didn’t want to mention it till it was figured out… But seriously, they’ve got 2 days of awesomeness lined up for NBN at Third Man. Oh, and PUJOL has another 7″ coming out as well: a live recording of their show opening for Nobunny at Third Man a while back. Here’s the NBN/ND show rundown:
Friday, Oct. 1st: JEFF the Brotherhood/The Ettes/Cheap Time/Heavy Cream/Cy Barkley
Saturday, Oct. 2nd: Jacuzzi Boys/Turbo Fruits/PUJOL/D. Watusi
I should also mention that there’s a pretty cool update over at WOTT about the goings-on of Battletapes over the past few months. Mr. Ferguson has been busy as fuck with tons of good stuff, and is about to be flown to Brussels, Belgium to record a band called Lucy Lucy, who had an ear-gasm when they heard his work on Turbo Fruits’ album Echo Kid. Congrats, Jeremy! (And of course congrats to his girlfriend Candice who has all but kicked her breast cancer’s ass.)
I was going to post the video of Chromeo’s awesome performance on Letterman, complete with a string section and backup singers, but then I came across this ridiculously awesome video of Irish hand-dancers doing a routine to “Speak No Americano” by Yolanda Be Cool & DCUP.
First, I must point you to the official Next BIG Nashville schedule. It’s up, and it will probably change, but it’s there so start planning which sacrifices to make. Planning your schedule at these types of music festivals is always a delicate balance between seeing people you know and like, and branching out to see some new acts you might not get to see otherwise.
Secondly, I have some exciting news that some people know about, but others don’t. I will be doing a photo documentary project with Those Darlins next week; joining them on a week-long leg of their tour with Strange Boys and Gentleman Jesse & His Men. I got the idea after the death of famous rock photographer Jim Marshall last year. News of his death got me thinking about his photographs, and how a lot of the truly iconic shots are very casual, candid, off-beat images taken off the stage. I thought about how I could do more of that type of behind-the-scenes work (not that my images will ever be as iconic as Marshall’s shots of Bob Dylan, Janis Joplin, and the like), and I thought of Those Darlins. I’ve known them for years, they’re some of the best people I know, they have room in their van, and after some discussions with their awesome manager John “JT” Turner, this idea is now becoming a reality. They’re what most would consider a mid-level act, but they’re headed for higher places and I think it’s the right time to do this type of project with a band like them. Those Darlins know how to party, and I think the results of this little experiment will be interesting. So, if you’re in Chapel Hill, D.C., New York, Cambridge, or Brooklyn, I hope to see you at one of the shows! Obviously, I may not be posting much next week…
My other news is simply that Miami Horror is awesome and you should go buy their album now. Seriously, I’ve been seeing mp3’s from these guys popping up in the blogosphere for a few months and I kept thinking “oh, this is an awesome track… nice…” But just yesterday I saw my friend Joseph’s review of their debut album on his blog Nashville Nights and it finally clicked in my head that these guys were different than your average “3 or 4 singles a year” DJs/producers. I urge you to checkout the quality interview Joseph did with them as well… I totally agree with his sentiment that it’s hard to find a good, quality dance floor album these days. There really are no sleepers or filler on this album- pure quality all the way through. Honestly this material is exactly what I personally want out of electronic/dance music: it’s got a great disco-ey, funky groove to it, smooth bass lines, and most of all the songs are songs, not just a bunch of loops layered together that build and fade (via trancewave). If you like Cut Copy, AIR, or Neon Indian, you will love this record. This is the best thing to come out of Australia since Silverchair. J/K J/K J/K
Miami Horror-I Look To You (Ft. Kimbra)
Oh, and the link to buy the album goes to Amazon. Fuck iTunes and their non-mp3/non-DJable formats. And while I’m at it, fuck their new ugly skin/layout for iTunes 10, too.
Heavy Cream LP release tonight/New Cee-Lo
August 24, 2010
Local lady-punks (and one dude) Heavy Cream have been tearing up the eastern US the past few months touring, including some NYC shows and Brooklyn Vegan love. They’ve had their new LP Danny on sale at their shows, but tonight is the official release party right here in Nashville. They’ve gathered some very awesome guests to join them, too: Those Darlins, and a “70’s dance party hosted by Jeff the Brotherhood,” along with a DJ set by Nashville’s Dead. It all goes down at Billup’s Art (1008-C Woodland St.) in East Nashville. $10 gets you in but apparently there’s free beer. Can’t complain there. Here’s the smashingly catchy track “Watusi.”
If you have been on the internet the past couple of days I’d be surprised if you hadn’t heard about the new Cee-Lo single “FU.” It’s the shit. It’s amazingly awesome. I’m gonna go out on a limb here and post a remix from Chromemusic (not a full remix, just a little extra drums and vocals added).
Cee-Lo Green-Fuck You (bitch blonde xbox nadja says hi rmx)
Happy Tuesday.
steve cross loves music and science 