I must take this opportunity to shamelessly self-promote for a moment. Tonight is Rock the Block at Exit/In, and this week I’m the host. I had a bit of a time getting the lineup together, but in the end I think it’s a pretty solid one. This is a FREE show, and it will kick off between 8:30-9pm. Please do get there early because every act on this lineup is definitely worth your time, and they’re only playing 20 minute sets (there are 6 of them afterall…). Also between the 2nd & 3rd and 4th & 5th acts Miss Jenn Ross will be doing bellydances to keep you entertained. I’ll use the same words We Own This Town used to promote their 8 off 8th last night: “There’s no reason to go to anything else tonight because this is where the goods are.” Also, Lost is on Hulu, so get your ass off the couch for once. I promise to have you home in time to get your beauty sleep because I have an early-ass day job just like you do.
Look what Nashville DJ just showed up on this flier for a Fool’s Gold-sponsored dance party in NYC, alongside the likes of Treasure Fingers:
Makeup & Vanity Set interview/New Devo
March 1, 2010
Here we go: the first official artist interview on my little corner of the web. With his self-titled 3rd album coming out on March 16th and an album release show at the End March 14th, Makeup & Vanity Set made the perfect first interviewee.
SCLMS: Not get too cliche, but what piqued your interest in electronic music waaay back when?
MAVS: To be totally honest, it had a lot to do with the fact that I was just really into trying to figure out how to make the sounds. I can remember pretty vividly hearing songs back in the day as a young Putay, and just thinking ‘How do you make that?’ I really just wanted to find out how you could make music without the conventional methods of actual sounds and microphones. Electronic music was always this big mystery to me. Not a lot of people particularly cared about the genre where I grew up. It seemed sort of taboo. I guess in a way that also attracted me. It was different. I remember making super early jams with computers and putting them on tapes and handing them off to, like, my band teachers; they didn’t really have much to say about it. I think back then I was just excited about discovery.
SCLMS: When I first met you in college at MTSU, I remember you were making fairly experimental/unstructured/blippy/glitchy material, much like your current side project DAAS. Then suddenly Makeup & Vanity Set was born circa 2003, and I remember seeing you open for the Protomen at one of their 1st Boro shows and thinking “whoa! Pusti got all dance-tastic all of a sudden!” Then for several years you continued to push the more structured/dancey MAVS material, until last year when DAAS was born. What was going through your mind and what drove your transitions between styles between 2003 and now?
MAVS: The other day I was cleaning some stuff out of my house and I found the original piece of notebook paper from the class that I had with Cal where he drew the Protomen logo for the very first website we made. It all filled in with BIC ink pen. Like you can just picture him not paying any attention to class and just doodling this thing that ended up being a giant part of our lives for the next ten years. I basically started making New Order-y songs and recording bass guitar over them and sending them to Cal around that time. We were planning on recording some songs together. I would send him other stuff too. The other stuff wound up being Aesthetically Speaking. Cal wound up pretty much forcing me to open for them at the Boro because they needed another band to open and I think Cal was terrified of the selection of Boro bands at that point, so it was me. And I had never played a show by myself ever before that point. Makeup and Vanity Set, the name, was a joke about me not wanting to do it, really. The ski mask was me trying to haphazardly compete with the theatrics of the Protomen. The first ski mask belonged to my friend Norman Teale, who gave it to me before moving to Oakland. It seemed like an odd parting gift at the time.
SCLMS: What was your take on the success of Justice/the rise of bloghouse circa 2007? Because you were totally doing that shit way before they got famous with it.
MAVS: I think bloghouse is sorta mostly dead. I think it’s becoming a lot of other things. The best thing about bloghouse is that it literally reinvented the way that people get famous with electronic music. It allowed musicians to make jams faster, get them out faster, and operate in a much more compact way, which is awesome. At school, they used to always talk about how the rise of pro-level studio gear in people’s bedrooms is going to give rise to people making hit records with nothing. That’s a bunch of crap; no one is going to make Queen albums in their basement. It absolutely applies to electro music though. For the record, I used to compress the shit out of my songs simply because I didn’t know what I was doing and it made the drums sound tougher. That doesn’t really equate to Justice, but it does make really loud crazy 8 bit songs, almost ten years ago. For real.
SCLMS: People used to talk about how you made music in MS-DOS, by writing code. No visual interfaces, no linear sequencing, no keys to hit, just writing code to make a song. Is that totally true? If it is, can I eat some of your brain?
MAVS: I used to get all wonky with Trackers back in the day. It’s not really code, but it is super nerdy. You would hit keys, but they were computer keys. It’s funny because a lot of the stuff that comes out now is so branched out of that. It’s not even funny.
SCLMS: What’s your take/philosophy on the live performance of electronic music?
MAVS: Playing live is interesting. It can be really painful. I’ve played shows where I’m pretty bored with it. It’s more technical than anything else, so after a few songs, if the crowd isn’t into it, you start feeling like you’re standing up there doing a power point presentation. I’ve always hated stages. I like being down on the floor with people. It feels better. I think I got really lucky by having a bunch of super awesome friends who would come to my shows and dance like crazy and fire strobe lights and smoke machines, and tear up baguettes with their shirts off, etc. My friends have made it so much easier to cope with.
SCLMS: What do you think of dubstep?
MAVS: I really hope it isn’t the next big deal. It’s been around for a while overseas, so it makes sense that all of the sudden it’s super big here, but I honestly get kinda bored with it. I remember as a kid, loaning my copy of Homework to a friend, who copied it to cassette in his bedroom while we were at school, and he came home to find out his Mom shut it off. He asked her why and she goes ‘Well, it was skipping.’ I think electronic music is moving into this super next level A.D.D. mode where the little motifs are getting shorter and the changes and craziness are getting faster and the whole thing is just pushing forward. When I want to hear something new, I usually just listen to whatever Oizo is doing.
SCLMS: Why do people like wobble bass? It basically sounds like a series of electronic farts most of the time, IMHO.
MAVS: I bet if it were called Fart Bass, people would like it less. Filters, man. People love filters. They just don’t know it.
SCLMS: What are your favorite style of jams to DJ?
MAVS: Tough Jams.
So there you have it. Make sure to keep an eye on his official Bandcamp page to grab the new album, and if you’re in Nashville, you don’t want to miss the album release show at the End on March 14th with Magic Hammer, Anamanaguchi (NYC), Starscream, Sabrepulse, Henry Homesweet and a DJ set from our local beloved Penguin Parade (featuring 2 members of Left Can Dance). You can also buy a physical copy of the album at the release show. Meanwhile, here’s the track “Putay’s Back” to tide you over.
Makeup & Vanity Set-Putay’s Back
On a side note, it would be crazy to not mention that Devo has a new record coming out in May and they’ve released a free, legal mp3 of the song “Fresh” to the interwebs. Grab it at Nashville Nights! It actually kinda sounds like old-school Devo.
Random news/Ke$ha covers Radiohead/weekend stuff
February 26, 2010
This somewhat old news by now, but if you haven’t seen this video of Ke$ha singing “Karma Police” by Radiohead at a junior high talent show, go do so now. (Via the whole internet)
Speaking of Ke$ha: Nashville’s own Justin Kase, who recently had a stint as her live DJ, is now on Twitter. Go follow him immediately, because when he hits 666 followers, he’s going private. Word is that he’s planning some secret dance parties this spring:
looking to reach 666 followers by march and then going private, tell everyone to getinb4 lck dwn. secret parties coming this spring.
The list of Nashville acts headed to SXSW this year keeps growing. So far Those Darlins, We Were the States, How I Became the Bomb, Glossary, Heypenny, Protomen, The Ettes, Madi Diaz, The Young Republic, and Matthew Perryman Jones are what I’ve seen/heard, but I’m sure there are plenty more.
Now for what’s going down this weekend:
Tonight I will be running the Generation Domination photobooth at Happy Valley, taking place at the usual downtown location- Aerial.
Of course the other big show happening tonight is My So-Called Band at Mercy Lounge, with Dozen Dimes. These guys have enough glorious 90’s nostalgia to have you jumping around doing beer-spews into Dave Paulson’s face… not that I’ve done that before or anything…
Saturday there’s a great Haiti relief benefit show at Blackbird Tattoo & Gallery, featuring Powerbrrrd (my band), the Admirals Club, Julia the Menace, Woodgrain, and supposedly some sort of Holly House supergroup. The $10 cover goes toward the UN World Food Program. Rumors Wine & Art Bar are also involved. Come on out and support a good cause!
Cassino, Korean Is Asian, and Tristen will be rockin the 5 Spot. *Correction- this show is at the Basement!*
Akron/Family, Warpaint, and HP Witchcraft will be rockin the Exit/In.
On Sunday I’ve heard rumors that American Bang will be filming a music video… so take that for what it’s worth.
And last but not least, I must do a little more shameless self-promotion and mention that I’m hosting Rock the Block at Exit/In on Tuesday. If you’re unfamiliar- it’s a bit like 8 off 8th at Mercy Lounge, except it’s on Tuesdays and not strictly 8 bands. Mine will feature 6 bands with 20 minute sets each, and I just confirmed Jenn Ross to do a couple of bellydances between acts! The lineup will be (not in performance order): We Were the States, Bows & Arrows, Cody Blaine & the Whole Fam Damnly, Powerbrrrd, Tristen, and Jordan Caress.
Have a great weekend!
A shit-ton of new music
February 17, 2010
I couldn’t think of anything better to describe this post than “a shit-ton of new music.”
Seriously, check this out:
Probably my favorite producer/DJ/artist from the Ed Banger Records crew is Breakbot. I love his remixes and original material, but his new track “Baby I’m Yours” is easily his masterpiece, even if it is under 3 min. long. It’s on his latest EP of the same title, and you should go get it now at Beatport. Or wherever you can find it. I also love the Siriusmo remix… Look for one or the other to be a a featured track in my upcoming Spring 2010 Mixxxx.
So I’ve been talking a lot about the Morning Benders lately. Well, that’s because they’re smart and know just how to milk hype and anticipation for all it’s worth. They’ve been slowly releasing a steady trickle of tidbits- mp3’s, videos, interviews, etc…- and it’s working because they’re ALL OVER the blogosphere. But I honestly love them and thus I’m joining the parade. Today they released another free mp3- the full studio version of “Excuses,” the song played in the video clip I posted last week. Grab it at You Ain’t No Picasso. It can found a million other places as well, but I’m linking to YANP because that happens to be where I saw it first.
It’s been a while since we’ve seen any action from Brighton Beach, UK’s The Pipettes. This is probably because they’ve undergone about 3,278 lineup changes since their last US appearances. When I first discovered them I went totally crazy for the whole gimmick of cute girls, singing pretty harmonies, dressing up in polka-dots, doing coreographed stage moves, and bringing back the girl-group pop vibe of the Phil Spector era. I must say that initial excitement has long worn off, and they quickly fell to the far back of my mind. Now they’ve completely re-vamped their image and sound, as well as shrunk to apparently 2 frontwomen. Check out the funky spaced-out disco imagery at their website, where you can also download their new single “Our Love Was Saved by Spacemen.” Honestly, the sound matches the imagery, but I’m not sure I’m sold on the new sound. It’s catchy and fun without a doubt, but something just doesn’t quite click like the old lineup/sound/imagery did.
SXSW officially announced the schedule of showcases and I’m going to spend at least a good hour tonight looking over it, but at first glance a few things popped out to me:
Wed. night at Emo’s, Emo’s annex, and Emo’s Jr., the latter of which is the Rough Trade showcase culminating with the Morning Benders. Also on Wed. is the Next Big Nashville showcase at Maggie Mae’s featuring The Ettes and a few more Nashville acts, and the Girls Rock Austin showcase at Submerged, feature Those Darlins and The Coathangers.
Thur. night the Beauty Bar hosts the IHEARTCOMIX/Green Owl showcase, which features some great new electronic artists, but faces stiff competition for the electro crowd from the Dim Mak showcase at Elysium which features the Crystal Method and Steve Aoki. The Cedar Street Courtyard, though not any specific “showcase,” will feature She & Him. The Young Turks showcase at the Mohawk Patio looks awesome. Of course the biggest is Broken Social Scene at Stubb’s.
Fri. night Cedar Street Courtyard will host Nashville’s own American Bang. Club DeVille hosts Neon Indian and CLASSIXXX. The Bright Antenna showcase at the Ghost Room features Magic Wands, which are interestingly listed as a Nashville band… The Cool Kids and Miike Snow will be at the Mohawk Patio.
Sat. night the Austin Shores stage looks pretty rad with She & Him, Justin Townes Earle, Deer Tick, and many others. The Beauty Bar lineup would appear to be the Fool’s Gold showcase, though it’s not listed as such… The Chicken Ranch showcase at Headhunter’s looks good, with Nashville’s own The Clutters and We Were the States on the bill. The Mohawk Patio looks good yet again, with Turbo Fruits and Surfer Blood.
Frankly my head almost exploded just glancing over it. More SXSW to come. Holy shit I can’t wait.
Oh, and if that didn’t make your head explode, then celebrities upside-down will.
Features afterpary @ La Paz/Majestico tracks
February 5, 2010
The big story today is also an act of shameless self-promotion. Tonight is the sold-out Features/Majestico/Cortney Tidwell show at Exit/In, and I’m DJing the official afterparty at La Paz along with Fan Fiction. La Paz is literally only 3 doors down Elliston from Exit/In, and given the fact that A) there’s NO COVER and B) well drinks/margaritas/wine are all $3 and PBR cans are $2, you’d be CRAZY not to come over after the show (if you’re going). Since the show sold out in one day due the rumor of Kings of Leon opening (which proved to be false), you may not have a ticket. In that case, I suggest simply coming straight to La Paz, because we kick things off around 9-10pm and you know the party will really get hoppin’ later on anyway. In case you hadn’t realized- this is the new incarnation of BFF. It’s simply whenever/wherever Fan Fiction and I DJ together. And trust me, we’re bringin’ the bangers. The resident La Paz DJ for whom we’re covering, Potamus, will be hitting the decks down in M’boro at SWAG, so if you’re in that neck of the woods and wanna dance, 527 Main St. is the place to be.
Speaking of Majestico, they’ve got 2 brand new tracks up on their bandcamp for free (unless you give your email address monetary value). Together they comprise the Bright White Lady single. What the hell are you waiting for? Go get them now. Oh, and there’s another great track called “I Like You” on there as well. These dudes might just be my favorite “new” Nashville band. (Via a star to sail her by, AKA the new blog from Andrew J. Smithson)
D. Patrick Rodgers of Nashville Cream did an interesting interveiw with Daniel Pujol as a part of this week’s Scene cover story “10 Artists to Watch in 2010.” Pujol’s answers are rather hilarious and quite cryptic at times, but that’s the main reason it’s a good read… You can also grab 2 free mp3s of Pujol’s solo work, which are hard to come by since most of his solo material has been released on cassette tape.
Other stuff this weekend:
Saturday is a major dilemma for sure:
Of Montreal/James Husband @ Cannery Ballroom vs. Girls/Magic Kids/Smith Westerns @ Exit/In…
Personally, I’ve seen Of Montreal 4 times and much prefer their mid-career material (Coquelicot through Sunlandic Twins). That, combined with my Scene photographic assignment will likely land me at Exit/In, because I haven’t seen any of those bands, and want to see all of them, especially Magic Kids.
On Sunday the party doesn’t stop, because Tristen will be at the 5 Spot, along with Murfreesboro’s The Only Sons, and Action!.
Have a great weekend!
Ticketmaster-Live Nation merger/Benefit show in M’boro
January 26, 2010
I’m not quite sure whether to breathe a sigh of relief, or still be worried about the Ticketmaster-Live Nation merger. I haven’t really had a chance to fully think the outcome through yet. But the news is: the merger is on, but with special provisions mandated by the government to prevent a full-on monopoly on the entire live music business. Basically, AEG Live will get to use Ticketmaster’s software, and Ticketmaster’s Paciolan ticketing and software services unit will be sold to a division of Comcast or another possible buyer. I guess the biggest worry here was that the merger would go on unchecked and that did NOT happen, so I guess we can all sigh a breath of relief… for the time being. More details at Business Insider.
There’s a pretty cool fundraiser/benefit show happening in Murfreesboro this Thursday 1/28/2010 for YEAH. (If you’re unfamiliar with YEAH, which stands for Youth Education through Arts & Humanities, please click on the flier to visit their website and learn more about their AWESOME program.) The show lineup is Shoot The Mountain, Hammertorch, and How I Became the Bomb, and there will also be Yazoo and New Belgium beers! (The beer part is a big deal because normally this space is alcohol-free because it’s an all-ages venue/hangout.) It’s obviously an 18+ event, and your attendance will help out one of the best local causes I can think of.
It’s no secret that I’m a huge fan of local electronic/8-bit wizard Matt Pusti. We went to MTSU together and he was mostly responsible for my introduction to electronic music in general. Before that, I thought drum machines were evil and anything not made by a “real” instrument was terrible. I recently mentioned his newer, more experimental endeavor DAAS and was quite glad to see him getting back to producing that genre of electronic music. (His material before Makeup & Vanity Set sounded much more like the DAAS material.) His Makeup & Vanity Set project has been somewhat idle for a couple years, but that has just changed with the release of his new Jambox EP on Bandcamp. GO GET IT NOW FOR NOTHING MORE THAN YOUR EMAIL. This is apparently just a taste of the goodness to come on his next full-length, due out later this year. I will probably do an interview with him as my first “official” interview on here… one of more to come.
Weekend craziness/Meemaw/meteorites
January 22, 2010
Combined science/music post today. Not much time….
A meteorite about the size of a fist crashed through the roof of a doctor’s office in Virginia on monday. Reports say that it was traveling about 220 MPH when it hit the roof. There’s a common misconception that all meteorites hit the ground as a fireball and cause a crater. The truth is only the really big ones, about car-size and up, actually have enough inertia to keep up those kinds of speeds all the way to the ground. The smaller ones that reach the ground have long since been slowed by the friction of the atmosphere, and usually hit at speeds anywhere from 100 to 300 mph, depending on the size and weight. I don’t want to spend much time on this so go here or here for more info.
Now for the music.
I mentioned a while back that beloved Nashville scrap-punkers Meemaw decided to end their hiatus. Well, the time has come! It all goes down tonight at The End, along with Marj!, So Jazzy, and JEFF the Brotherhood. I don’t really know if you can quite call it an interview, but please do check out this gem of a video segment of them talking/playing a new song/goofing off over at Nashville’s Dead. Good times.
Unfortunately this had to happen the same night as a ton of other good stuff in town.
One of the aforementioned other things is the special edition of Happy Valley at the Cannery Ballroom, where I will be running the Generation Domination photobooth. It’s part of Mercy Lounge’s 7-year anniversary party, but unlike the other show upstairs, it will cost a meager $5 to get into. The FREE show upstairs will consist of The Non-commissioned Officers, The Ettes, De Novo Dahl, Apollo Up, and the two secret guests have now been revealed- The Features and Turbo Fruits. That has to be the most amazing lineup of local rock I’ve seen in a long time.
On Saturday Mercy is once again the place to be, as the last day of their week of free shows consists of Space Capone, How I Became the Bomb, Heypenny, Madi Diaz, Tallest Trees, and Armed Forces. This amazing lineup will be followed by the return of BFF, featuring yours truly and Fan Fiction of Nashville Nights on the decks, and we promise to keep your butt on the dancefloor till the wee hours.
In case you missed the memo, BFF was a weekly dance party held by me (Burgers) and Joseph (Fan Fiction) at Mad Donna’s in east Nashville. That location turned out to be not quite right for what we were trying to do, so instead of keeping BFF as a monthly staple, we decided to just let it be the branding we use whenever/wherever we spin together. There are two upcoming BFF-related events, the first of which I just mentioned, and the other is Feb. 5th at La Paz. More details are in the pipeline about that, but I’ll say now that it’s probably going to be the official afterparty for the Features’/Cortney Tidwell/Majestico show which just a block away at Exit/In. It’s gonna be a blast y’all.
Have a great weekend!
BFF tonight/weekend stuff/Battle Pod 4
December 18, 2009
Obviously the big story today is that the 4th BFF (featuring myself and Fan Fiction DJing) is happening tonight at Mad Donna’s! This month we’ve decided to add beer specials to the mix, but the bar hasn’t told me what they’ll be yet. But get there before midnight to take advantage of that. Oh, and this time we have a fog machine to enhance your dancing experience. Mad Donna’s is on the east side, just a blog past 5-points on Woodland. It’s at the corner of Woodland & 14th St. across from Lipstick Lounge. In case you missed my last post, be sure to download my latest mix- the Burgers Winter 09 MIXXXX. For a tracklisting see my last post. And for a sampling of Fan Fiction’s style, just check his awesome music blog Nashville Nights. For even more info on this and more BFF’s in the future, join our Facebook group!
If you’re not feeling the east side, or not feeling the dancing vibe, my band Powerbrrrd is also playing Matt Friction’s Christmas on the Block show at Exit/In tonight. We’ll be on 2nd in a pretty awesome lineup of your favorite local bands playing Christmas tunes. But obviously I’ll be speeding over to Mad Donna’s right after we play to do BFF.
It should also be noted that Jeremy Ferguson, who runs the Battletapes recording studio, has posted his 4th “Battle Pod” podcast. It features some lovely Christmas covers by Lylas, Tristen, Jonas Stein (from Turbo Fruits), and others. Go grab it now.
Other weekend stuff:
Saturday: Holly House Winter Formal @ Mercy Lounge. This show will feature Tristen, Caitlin Rose, Eureka Gold, Shoot the Mountain, Non-Commissioned Officers, and more, all playing in each other’s bands covering various Christmas songs and whatnot. I’ll be doing a photobooth, and it’s part of Mercy’s 2nd annual “Winter of Dreamz” sponsored by Sweetwater. Oh, and there’s an indoor snow machine…
By then I’ll be so tired I won’t care anymore, so that’s it for this weekend.
Burgers winter 09 mixxxx/Morning Benders album due in 2010
December 16, 2009
The official DJ Burgers Winter 09 Mixxxx is here! Download it now and get ready to party down with Fan Fiction & Me this Friday at the 4th installment of BFF at Mad Donna’s! (Mad Donna’s is at 1313 Woodland St. in East Nashville, just a block past 5 points and across from Lipstick Lounge.) There will FOG MACHINES. There will be CRAZY LIGHTS. And most importantly, there will be BEER SPECIALS UNTIL MIDNIGHT! (More on the beer specials soon…)
Tracklisting:
Bag Raiders- Shooting Stars (Shazam Dub mix)
Lindstrom & Christabelle- Baby Can’t Stop (Aeroplane RMX)
Yolanda Be Cool- Afro Nuts (DCUP RMX)
Little Boots- Earthquake (Treasure Fingers RMX)
Ke$ha- Tik Tok (Fred Falke Radio RMX)
A-Trak & Arman Van Helden present Duck Sauce- Anyway
Busta Rhymes Ft. T-Pain- Hustler’s Anthem (Bit Funk RMX)
Fukkk Offf- More Than Friends (Markus Lange & Stereofunk RMX)
The Cataracs- Club Love (Nick Catchdubs & Proper Villains RMX)
Dan the Automator-Rapper’s Delight (TEPR Remix)
Golden Bug- Assassin
Bloody Beetroots ft. Cool Kids- Awesome
Some other random tidbits for today:
Ridley Scott directed a remake of Robin Hood that’s due to hit theaters sometime next year. It stars Russel Crowe and Cate Blanchett…. and judging from the trailer I think I’ll end up preferring the Kevin Costner version… See it at Apple movie trailers. (Via Kottke)
One of the few “new” bands that I’ve been head-over-heels for is the Morning Benders. I LOVED their 2008 album Talking Through Tin Cans, and I just found via You Ain’t No Picasso that they’re prepping their next LP Big Echo for release on March 9, 2010 through Rough Trade. Next year is going to be FULL of good releases….
First and foremost, for my Nashville readers, I must plug my DJ gig tonight at the new La Paz location on Elliston. It’s where Ombi Bar used to be. My friend DJ Potamus is going to be hosting a weekly friday night dance party there, and he’ll be having different guest DJ’s each week. This debut week, it’s me (Burgers). So come out and DANCE BETCHES! Seriously, if not for the hot jamz, come for the drink specials! (FYI- the next BFF is going to be Friday Dec. 18th in case you were wondering…)
It’s been a minute since I mentioned Hipster Runoff. In case you don’t follow Carles on a regular basis, he recently “retired” (aka wrote under the faux names of mike and becca and inevitably made some gullible people think he’d actually retired). But he’s back. Because he was ‘born 2 blog‘.
This has already circulated widely by now but it’s worth mentioning because it’s kinda cute and endearing… David Bowie’s giddy response to his first American fan-letter in 1967. (Via Flux-Rad)
Pitchfork has a pretty interesting reader’s poll going on right now. My favorite part is the “trend you wish would go away” category:
- 90s revivalism (No Age, Japandroids, Cymbals Eat Guitars)
- Afropop indie (Dirty Projectors, Fool’s Gold, Abe Vigoda)
- Animal Collective acolytes (Blind Man’s Colour, Our Brother the Native, USF)
- Balearic (jj, John Talabot, Windsurf/Hatchback)
- Chillwave/glo-fi (Washed Out, Neon Indian, Nite Jewel)
- Dubstep and its offshoots (wonky, funky, bassline)
- Post-Lily Allen UK pop (La Roux, Little Boots, Florence and the Machine)
- Prim, buttoned-up indie (Grizzly Bear, Andrew Bird, St. Vincent)
- Shitgaze/lo-fi aesthetics (Times New Viking, Wavves, Vivian Girls)
I had a pretty hard time with that one… as most of them are actually trends I wish would go away. Except for the 90’s revivalism one… but that’s mostly just me being a) nostalgic and b) in a band doing just that… kinda. (List via Brooklyn Vegan)
Speaking of 90’s nostalgia… My So-Called Band returns to the stage this Saturday at the Exit/In. I may or may not be DJing some 90’s jock jams in between/after sets…
See you tonight at La Paz!
steve cross loves music and science 