This weekend in Nashville
December 3, 2010
Before I get to my picks for what to this weekend in Nashville, I must very briefly mention the famous Arsenic bacteria that NASA announced yesterday. It’s all over every news site in the universe, so I feel no need to say anything other than- this is totally awesome and it will force biologists and astrobiologists to rethink their theories of what type of life might exist on other worlds. It also proves that life can be much more adaptable than we ever thought. And I can’t help but post this great comic from XKCD:
Now for this weekend’s picks:
FRIDAY:
Charlie Louvin, w/ Porter Hall, TN at Foobar. This will be in the new Foobar expansion room, not the tiny stage at the main bar. And it’s fucking Charlie Louvin! Dude’s a living legend. 9pm I would assume… but I can’t find a definite time listing anywhere, so you might wanna show up early- dude’s a legend but he’s also very old, and old people tend to go to bed early.
Tim & Eric Awesome Tour Great Job! Featuring Tim & Eric, Pusswhip Banggang, and Neil Hamburger at the Cannery Ballroom. 9pm, but I hear it’s sold out. So hopefully you already have tickets…
SATURDAY:
Duh! Where else would you be besides La Paz? As I mentioned yesterday, I’m throwing a tacky sweater holiday disco party at La Paz with DJs Potamus and Vitalic Noise. La Paz is now at 2214 Elliston Pl., where Ombi used to be. It’s 21+, is FREE between 10-11pm, and $3 after 11pm. We’ve got $2.50 PBRs, $4 margaritas, and a round of $2 jello shots coming out at midnight. We’ll also have a disco ball, fog machine, and plenty of dark corner makeout sessions.
BUT if you MUST do something else tomorrow night-
Old 97’s w/ Hayes Carll at Mercy Lounge. 9pm but it’s sold out.
Black Cab Sessions day show: in-store at Grimey’s with Tristen and We Were The States (who have a new album out!)
Black Cab Sessions night show: at the Basement with PUJOL, Tristen, Cheap Time, Altered Statesmen, and more. If you don’t know what the Black Cab Sessions are, go here.
Have a great weekend!
This Saturday- La Paz Late Night Presents: Tacky Holidisco
December 2, 2010
Remember last fall/winter when you could go to La Paz (now in Ombi Bar’s old digs on Elliston) and dance the night away with DJ Potamus and friends every Friday? Yeah, it was called La Paz Late Night, and though the former owner put the brakes on it after a few months, the new owner is all about some dance parties, so Potamus and I have brought LPLN back from the grave! We’re gonna be doing it on the monthly instead of the weekly, and the first party of the new era is THIS SATURDAY: Tacky Holidisco. We’ve enlisted the help of DJ collective/blog/party promoters Vitalic Noise as well, and between the three of us it should be a party to remember, every month. We’ll be spinning a smooth mix of classic disco, nu disco, french house, and electro. We also have some irresistible drink deals- $2.50 PBRs, $4 Margaritas, and a round of $2 jello shots at midnight. We will also have a special prize for the tackiest holiday get-up. As always, dark corner makeout sessions are encouraged. What more could you ask for on a Saturday night? Here’s the skinny, in case you didn’t feel like actually reading all that:
La Paz Late Night Presents: Tacky Holidisco
THIS SATURDAY DEC 4th at La Paz Mexican Restaurant: 2214 Elliston Pl.
FREE 10-11pm, $3 after 11, ages 21+ only
$2.50 PBRs/$4 margaritas/$2 jello shots at midnight
Disco/house/electro by DJs Potamus, Burgers, and Vitalic Noise
For a sample of what you’ll hear, check out my latest mixtape BURGERS Fall 2010 MIXXXX below, or tune into 91.1 WRVU tonight from 6-8pm, as I’ll be performing a mini-mix on Sam & Kelly Patton’s awesome show Penguin Parade.
And The Relatives: Green Machinery
December 1, 2010
And The Relatives just released their first full-length album Green Machinery via Theory 8 and YK Records. I’m no professional music critic by any means, so I’ll keep it short. Get this album. The band put a lot of time and effort into this record and it shows. I must disclose that these guys are friends of mine, but again, I don’t claim to be a professional music critic. ATR’s style has always been heavily influenced by early/mid 90s indie rock, and they wear that on their sleeve. This album is anything but derivative, however. They somehow manage to inject a sense of freshness in the songs that keeps them from feeling stale. You’ll hear a little Guided By Voices, a little Built to Spill, and plenty of clever guitar riffage. Top it all with Andrew Brassel’s mellow yet rough-edged voice and just the right dose of production and you have yourself a quality album. Production-wise it’s pretty much spot-on. It was recorded at bassist Eli Beaird’s home studio, and the sounds achieved perfectly match the songs. The artwork is worth noting as well- Micheal Eades, Kyle Scudder, and BOSS Construct did a great job on the packaging, and it’s well worth it to buy the limited edition vinyl to get the full effect. If you’re short on cash, have no fear though- you can pay as little or as much as you want for the digital version at their bandcamp. The standout track on the album is easily “Hammer Down,” and you can check out the video for it below.
The Naked & Famous: riding the Passion Pit waves
November 29, 2010
This band from New Zealand The Naked & Famous are making me pretty happy at the moment. Don’t have their full album yet but from the 2 tracks I’ve heard, they basically sound like a more epic, more robust version of Passion Pit. Basically those are the things that kept me from loving Passion Pit, so for me this band is almost perfect. I know they’ll get tons of Passion Pit references and will probably grow tired of it but it’s too obvious to just ignore- the similarities are there. What’s kind of hilarious is that Pashy Pit’s Angelakos is a dude, but his stratospheric falsetto is in the same register as TNAF’s vocalist Alisa Xayalith. Don’t get me wrong, I like both bands, but honestly TNAF is pretty much what I always wanted Passion Pit to be. I’d put money on them becoming one of the biggest indie sensations of 2011. Check out the video for their hit single “Young Blood”:
My birthday 8 off 8th- grunge style tonight
November 22, 2010
So I had PRK (laser eye surgery) last thurs., thus I’ve been waaay out of my normal routine for the past 4 days. So this post is rather pointless this late in the day, but regardless, if you’re a Nashvillian who happens to read this in the next few hours (it’s 6:15pm as I type), I do encourage you to come down to Mercy Lounge tonight to help me celebrate/kick off my last year of being a 20-something. I’ve recruited some fine Nashville bands to cover songs from that epic sub-genre of the late 80’s/early 90’s known as GRUNGE. Bad Press had to drop off the bill due to illness and a host of other mishaps have shown me that the Gods 0f Rock are frowning upon this evening of nostalgia. However, my will shall not be broken, and a good time will be had by all. Best of all, THERE WILL BE FREE CAKE.
Powerbrrrd show tonight/William Tyler album/MAVS remix contest
November 16, 2010
Wow, there’s a lot of good stuff to report today.
First of all, let me say that this morning sucked. Quite frankly this started out as a bad day. But I found out that local guitar wizard William Tyler (who’s played with Silver Jews, Lambchop, and most recently KORT) has a new solo album out, and it’s streaming on NPR. I had no idea what to expect, but I started playing some tracks and my day immediately improved. The album is mostly instrumental acoustic guitar compositions with roomy, spacey samples and horn parts washed in here and there. A few tracks feature ambient sound effects with distant druid-like chants. It was one of those times where just the right thing happens to come along to set you back in sync. Good job Willy T!
Now for a brief moment of self-promotion. My band Powerbrrrd is playing a free show at the Exit/In tonight, along with Nite Nite, The Grayces, Little Viking, and Frank the Fuck Out. A good time is guranteed. We had a 4th Brrrd in line to make his debut tonight, but unfortunately he inured his wing and won’t be able to rock with for a few more weeks.
One more brief moment of self-promotion. Saturday I turn 29. To kick off my last year of being a coveted twenty-something, I’m hosting an 8 off 8th at Mercy Lounge next Monday, and it’s a grunge cover night. Yes, break out your flannel, ripped jeans, and chucks- it’s time to get filthy. The lineup is Eliza the Arrow (former members of Forget Cassettes), Foxcore (members of Take the Power Back), Anchor Thieves, Powerbrrrd, Sweet Tempers, Kelly Kerr, and Bad Press (Nashville Cream staff). There will also be FREE CAKE.
If you’re a music maker of the electronic type, or just a DJ who dabbles in production, you should head over to Makeup & Vanity Set’s website where can download stems for an official remix contest he’s hosting. The track being remixed is “Charles Park” off of Charles Park II. I really look forward to hearing some of these remixes, and tackling the remix myself. Whether I can come up with anything noteworthy remains to be seen, as my time is stretched thin…
Finally, I must warn that my posting may be limited to non-existent past today. Something blog-worthy may pop up tomorrow, but Thursday I’ll be having PRK eye surgery, and unfortunately there is a bit of recovery time involved, during which I may have be doped up on pain meds while my corneas heal. Most of you haven’t a clue how severely near-sighted I am, but suffice it to say that even though this surgery will only reduce my corrective prescription, that alone will be well worth it.
Slow weekend/Caitlin Rose’s album gets U.S. release date
November 12, 2010
Before we get to the sparse show listings for this weekend, here’s some long-awaited local music news:
Caitlin Rose’s debut album Own Side Now will finally see a US release on March 15 of next year. People state-side have been wondering and waiting for news as to the US release, since it’s been out in the UK and Europe for several months now. The release will be followed-up by what should be a pretty extensive US tour in the spring/summer months. Good news indeed, for a truly great album.
Wow. It’s a slow weekend in Nashville, rock show-wise. I honestly have nothing for you tonight. Nada.
TONIGHT:
I almost forgot about Black Mountain/Black Angels tonight at Mercy Lounge. But personally they are too jammy for my taste. So… meh.
Wooops. That show was actually last (Thursday) night.
SATURDAY:
Mashville ft. DJs Wick-It, Bitch Please, Mike Vulcan, and Bateman @ The End. 9pm $5
SUNDAY:
Codaphonic, Listen Like Thieves, Kat Jones, and StereoPhidelics @ the 5 Spot, 9pm $5
I must also mention that my band POWERBRRRD will be playing a Rock the Block at the Exit/In on Tuesday, along with Nite Nite, The Grayces, Frank the Fuck Out, and Little Viking. POWERBRRRD will be debuting our new 4-piece lineup, so make of that what you will.
Yeah! Have a good weekend!
If Harry Underwood’s art came to life…
November 8, 2010
This is probably what it would look like:
(Via Yewknee’d)
If you don’t know who Harry Underwood is, you need to learn. Thank me later.
In other news, the latest We Own This Town podcast is out and it contains some tasty new treats from Nashville artists both new and old such as Jasmin Kaset, Fly Golden Eagle, Tristen, and Relax With Fiction.
Tex vs. Basil Marceaux dot com/weekend shows
November 5, 2010
First off, here’s what I think is good this weekend:
FRIDAY:
The Features, Tristen, Bows & Arrows @ 12th & Porter. 9pm. I swear I read somewhere that this is some kind of benefit show, but I can’t find any evidence of that now. Regardless this is an AMAZING lineup. I need not say a word about the Features- we all know they rule the universe. Tristen has gotten better and better every time I’ve seen her the past 3 years, and just when I think she couldn’t possibly be better, she is. Speaking of getting better- Bows & Arrows are now totally awesome as well. (Not that they weren’t before, but now they’re really awesome.) I saw them last Sat. night at Grand Palace in M’boro and they totally blew me away. They’ve got a batch of new songs and have been slowly chipping away at a debut full-length with Alex at GP’s recording studio.
OK Go, Those Darlins, Samuel @ Mercy Lounge. 9pm, $15. I’ve not a clue about Samuel, but I can promise you’ll hear almost all new material from Those Darlins (which I deemed fantastic while I was on tour w/ them for a week), and a fun, crowd-participatory experience from OK Go. I saw most of their set at Bonnaroo this past summer and while the last album or two hasn’t impressed me, they did put on a helluva live show.
SATURDAY:
Milktooth, XPIA, the Zut Alors, and Flashbulb Fires @ the 5 Spot. 9pm, $5.
Turbo Fruits, Big Surr, Deadbeat Beat, D. Watusi, Reid Magette @ Glen Danzig’s House, 7pm, $5.
SUNDAY:
Fang Island, Delicate Steve, Sleeper Agent, and Bad Cop @ The End. $10, 9pm.
And now here’s some footage of the one and only Tex Rambunctious interviewing the one and only Basil Marceaux dot com:
(Via Nashville Cream)
Pains of Being Pure at Heart sophomore album produced by Flood
November 4, 2010
Pains of Being Pure at Heart @ SXSW 2009
I’ve been a solid fan of the Pains of Being Pure at Heart ever since they burst onto the scene in late 2008/early 2009. I was pretty amazed when I read this article on Stereogum reporting that they’ve finished up their 2nd full-length with none other than Flood behind the faders. Knowing that a producer who was behind such huge massive sounds as U2, Depeche Mode, Smashing Pumpkins, etc… was working with POBPAH initially scared the hell out of me. Adam Gold of the Nashville Scene/Cream once told me “they rock about as hard as a cupcake” referring to POBPAH. And honestly that’s a pretty accurate statement, but I’m actually fond of several “cupcake” bands, so that is (in some ways) a very good thing in my mind. Such a “big sound” production style would certainly spell doom for the tenderness and teenage awkwardness that is part of the reason I loved their debut album so much. At least that was my initial reaction. The quotes in the article, however, quelled most of my pessimism about this second album. Quotes like “the loud parts are louder and the quieter parts are quieter — with a lot more variation between the two” really make me feel like Flood didn’t just come crashing through the walls and lay down the law while POBPAH cowered in the corner. The band actually developed a “good push-and-pull with him” and believes that he actually learned as much from them as they did from him. To me, a big part of what made their debut so good was the way it was mixed, and most specifically the guitar sounds. Honestly there were a few moments where I found myself wanting the guitar parts to come through a little clearer; that they were a little too awash in fuzz and re-verb. So when I read that they were going for “a guitar sound that hit you in the chest.” I’m all about that. So with slight hesitation, I look forward to hearing this new album. As I’ve said all along, I really think this band has some staying power.
A few random other notes:
Congrats to everyone involved with Make-Out With Violence, the locally shot and produced feature film is now officially out on DVD and On Demand. I mentioned before they’d finally found a distribution home with Factory 25, but now you can actually go order a copy for yourself. Go forth and buy! These dudes sunk a lot of their own cash into this movie and worked tirelessly for years- they deserve it! (Via Nashville Cream)
Just watch this amazing feat of choreography and lighting that happened in NYC for the Target 2010 fall fashion spectacular. Mind=blown. (Via Vitalic Noise)
steve cross loves music and science 